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Lisa Purse

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About

Lisa Purse is Professor in Film and Head of the Department of Film, Theatre & Television at the University of Reading. The author of Digital Imagining in Popular Cinema (Edinburgh University Press, 2013), she has published much on the aesthetic dimensions of digital visual effects, digital cinematography, ad digital 3-D, the body in contemporary action cinema, and the screen mediation of war and geopolitical conflicts. Broadly, her research is concerned with relationships between aesthetics and the politics of representation in cinema, and constructions of the body and physicality in post-studio mainstream cinema. She is currently working with Lisa Bode on a project to historicize digital visual effects on screen from the 1970s to the present.  

Areas of Focus

aesthetic qualities of dvfx; digital vfx and the body;  space and duration in digital cinema; digital textures and compositing  

Relevant Research

The new dominance: action-fantasy hybrids and the new superhero in 2000s action cinema (2019)

Layered Encounters: Mainstream Cinema and the Disaggregate Digital Composite (2018)

Digital Visceral: Textural Play and the Flamboyant Gesture in Digital Screen Violence (2017)

Working Space: Gravity (Alfonso Cuaron) and the Digital Long Take (2017)

The New Hollywood, 1981-1999: special/visual effects (2016)

Rotational Aesthetics: Michael Bay and Contemporary Cinema's Machine Movement (2015)

Digital Imaging in Popular Cinema (2013)

Gestures and Postures of Mastery: CGI Cinema and Contemporary Action Cinema's Expressive Tendencies (2009)

Digital Heroes in Contemporary Hollywood: Exertion, Identification and the Virtual Action Body (2007)

The New Spatial Dynamics of the Bullet-Time Effect (2005)

Contact Details

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